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Posts Tagged ‘Broadway’

Earlier this week, I posted something about the right kerfuffle involving Warner Bros., Daniel Radcliffe, and the Broadway production of How to Succeed….

The theatre's a small world, isn't it?

Well, according to Playbill.com, the Warners won.

 

Victory calls for Comic Sans.

Actually, this isn’t that big a deal.  I understand it’s just business.  (Or maybe it is a big deal:  Is this equivalent to the film saying theatre doesn’t matter?)   But two things stick with me.  The first is that selling out three nights of a Broadway show is about $500,000, which isn’t a huge amount of money and yet still covers about a half a week’s salary for lot of actors, technicians, ushers, etc., plus running costs, royalties, and all that good stuff.  The second is that, in the film industry, that same $500,000 is a nuisance.  It’s mind-boggling.  You could probably add all the budgets of all the shows I’ve ever done, and it still wouldn’t add up to $500,000.  In this case, it’s just an obstacle to getting a star to do some press.

But I digress.  This post isn’t about How to Succeed…, Broadway, or even the Harry Potter franchise.  It’s about the Warner Brothers.  And their sister Dot.

 

The theme of today's puzzle.

It’s Yakko’s world.  We just live in it:

Not to be outdone, Wakko rules the country (and he starts with my favorite capital city):

And Dot’s cute:

So, if How to Succeed… is dark those nights, then WHO’S ON STAGE?

Hahaha!  I love that show. 🙂

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So, Warner Bros. is at war with the producers of the new revival of How to Succeed in Business Without Really Trying, over their refusal to release Daniel Radcliffe to do press and red-carpet for the final Harry Potter movie.  Radcliffe’s contract keeps him in NY and in the show until November, while the movie opens in July.  Warner Bros. feels they can’t adequately promote the film without Radcliffe, but How to Succeed producers have held firm, forcing the studio to buy out the houses for the nights they want Radcliffe, to the tune of about a half-a-million dollars.

It’s chump change, really, when you consider that the Potter franchise has grossed over $6 BILLION WORLDWIDE. To put that in perspective, based on my salary last year, I’d have to have lived 600 million years to make that kind of money.    Are they really concerned that if Harry Potter himself isn’t there, the movie won’t open big?

Can you find yourself?

 

Are they seriously worried about this?  Between the books and films, HP is a phenomenon that we’re not likely to see again in our lifetimes (unless it involves some skeevy, sparkly vampire, and even then, only maybe).

 

HARRY POTTER TATTOOS!

HARRY POTTER FAN ART!

HARRY POTTER FAN FIC!

HARRY POTTER FOOD!

HARRY POTTER COSPLAY!

HARRY POTTER PICK-UP LINES!

HAIRY POOTER PORN!  (NSFW)

 

So, really, Warner Bros., thanks for “supporting” the theatre, and kudos to the How to Succeed producers for standing up to Goliath.  As for the show, it just went into previews, but the images I’ve seen from it so far are distinctive.  Here’s Hedy LaRue, on the left:

She does look great, though.

 

And here’s the Evolution of Bud Frump, from the 1960s to today:

 

From realistic nerd to fashion icon. See you in the Village, Bud!

 

The ad campaign and poster art are gorgeous, though, and another comparison leaps immediately to mind.

Hm. There are even faint buildings in the background.

 

 

 

I’m not imagining this, right?  You see this?

 

Palette, style, pose, truth, justice, and the American way.

 

And what’s amazing is you take the glasses off Clark Kent, and you get Superman; but if you put the glasses ON Daniel Radcliffe, you get…

The Boy Who Lived

 

Somehow, I think neither Warner Bros. nor How to Succeed have anything to worry about.

 

 

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I have two MFAs in writing for the theatre, and I still don’t know “how” to do it. Would that I had seen this video before spending all that time and money. (Warning: It’s one of those annoying ones that force you to watch it in YouTube.)

I wish it were parody. She should have gone ahead and entitled it “How NOT to Win a Pulitzer Prize for Drama,” because she tells you to do the opposite of everything Margaret Edson did. But in all fairness, she’s right: Wit did not play on the Broadway.

Don't try to win this. Ever.

I also love her palpable disdain for Disney, as if the imprimatur were some automatic guarantee of long-running success on the Great White Way.

Remember us?

And giving added support to her legitimacy as a theatrical maven, pundit, advisor, and sage, there is the subtly placed collection of books in the lower right corner of the frame, including Cormac McCarthy’s Blood Meridian, which also (so far as I know) has never been a Broadway show.

Feminist Theatre, Blood Meridian, and Virginia Woolf...hmmm, I sense an agenda.

She’s got other helpful tips as well.  (Again, you will watch in YouTube, ’cause they say so.)

I want to do one about how to make a contemporary video look like it was shot in 1978 through the use of flowering plants, non-descript office space, and a hairstyle that looks like the youngest daughter on Eight is Enough.

Elizabeth Bradford explains it all for you.


But, hey, who am I to judge?  It’s a lifetime of knowledge in six minutes of video!  Go write that hit show, kids!

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